Fragmente de calatorie

  A doua noapte tuna si fulgera

.Era deja trecut de 11 dimineata, dar cerul avea o nuanta gri-maronie si marea se scurgea in ceata.

In nisip era inscris tiparul si valurile devenisera fractali, iar oamenii, priviti de la distanta, se miscau in slow-motion incolo si incoace.Isi construisera casusele lor micute, cu acoperis cu tot, aveau umbrele, unelte si haine colorate.Mergeau agale incercand sa imite ritmul apei.

In planul indepartat totul aparea ca o pictura impresionista, iar putin mai departe de asta, detaliile se transformau intr-un lego pixelat.Credeam ca daca o sa ma ridic in picioare, o sa pot privi toata scena asta de sus... un fel de Guliver care si-a aruncat privirea inspre o balta.Dar am facut greseala sa privesc apoi inspre Nord si am redevenit mica, un fir de nisip care a indraznit sa priveasca marea:).

In bucata noastra de cer, de deasupra capului, zburau porumbei, pescarusi si vrabitute.(evident ca nu toate in acelasi timp, desi cateodata se mai si intersectau) Ce ne-a impresionat a fost insa modul simfonico-silentios:) in care pescarusii vanau.Un ritm fluid, aproape straniu pentru intelegerea noastra sacadata, robotizata, de oraseni traind intr-o lume cubisto-futurista,combinata cu trecuturi si istorii nescrise, coexistand cu masinile si gandind in numere.

Cand a inceput sa ploua mai tare am alergat spre cort, infasurati in sacul de dormit Inauntru, desi culorile erau foarte artificiale (aproape SF daca nu ar fi fost scrijelit exteriorul:)), aveam o senzatie stranie de reintoarcere in pantec si ma gandeam la cuvantul alternativ si la etimologia cuvantului(da..am fost bantuita de definitii, dar deja stiti asta:)).In cartea New Age, Paradigma Holista, Wurtz spune ca alter-nativ inseamna nascut altfel, nascut din nou.(stiu ca are sens, dar folosindu-l ca sinonim pentru optiune, alegere etc nu-l intelesesem niciodata in intregime:)...apoi m-am trezit spunand "uite, de atat au nevoie doi oameni" si combinand senzatia de pantec cu senzatia de celula(sau stup), mi-am amintit de androgin si de fascinatia pe care am avut-o si inca o am  fata de termenii anima/animus.

Cand am iesit afara, totul devenise digital.Si din nou nu imi mai incapeam in piele.

si acum sa-ncep fragmentele de calatorie:

"Androgin=bisexual.In lucrarea de fata termenul este intrebuintat numai in acceptia psihologica.Nu e vorba de hermafroditism, ci de reuniunea unor insusiri masculine si feminine.Ca revendicare, androginitatea pretinde integrarea de catre fiecare individ uman a celuilalt sex in propriile lui dimensiuni psihice.Conceptul de androginitate transcende vechea dihotomie a pasiv-activului, dupa care pasiv inseamna feminin si introvertit, iar activ inseamna masculin si extrovertit.Spiritualitatea New Age revendica o "largire a contiintei" atat pt barbat cat si pt femeie, pana la integrarea si identificarea reciproca)Omul androgin al viitorului isi va fi cultivat in prealabil sentimentul apartenentei la ordinea cosmica si reflectarea macrocosmoului in microcosmosul uman.Androginitatea se va dezvolta in plan psihic, fara exhibare fizica.Procesul este launtric, dar, in perspectiva, el ar duce desigur si l schimbari importante de comportament."

Forma sferica a androginului ne duce cu gandul la viziunea pitagoreica a Cosmosului inchis, format din cercuri concentrice. Ideea de Cosmos se afla in legatura cu cea de Ordine si Armonie, opunandu-se unui univers deschis, marcat de imperfectiune.

" Yin si Yang reprezinta simbolul cel mai bogat in continut al miscarii pentru Noua Era.Dificultatiile de interpretare a acstuia au fost introduse de modul specific al receptarii europene.La origine, yin-yang este un simbol holistic.In spatiul nostru cultural, insa, el a fost  cuprins in paradigma dualista a gandirii si astfel "simplificat", dar si deformat.[...]

  Interpretarea si intelegerea aceasta, insa, este deja polara, dualista, statica, potrivita limbajului nostru discret si nu se afla inca la nivelul exigentelor taoiste.In viziunea filosofilor chinezi, realitatea (a carei esenta profunda era TAO) reprezenta un proces de continua schimbare si transformare.(...)

  Proprietatea principala a lui TAO este ca neintrerupta sa miscare se desfasoara ciclic.Toate schimbarile din natura decurg ciclic, cele fizice, precum si cele psihice si sociale. 

Opozitiile nu apartin unei categorii diferite, ele nu isi sunt exterioare una alteia, ci sunt polaritati ale unuia si aceluiasi fenomen.(...)Toate fenomenele naturii sunt manifestari ale unei alternante continue si neintrerupte ale acestor doi poli, care nu sunt numai poli punctiformi, ci treceri, cresteri si descresteri.(...)Ordinea naturii nu e decat echilibrul dnamic dintre yin si yang"

-nu sunt asimilate cu polaritatea valorilor morale

-binele nu este nici Yin nici Yang, ci echilibrul dinamic dintre ambele principii

yin=ceea ce recepteaza si mentine-sustine-conserva

yang=expandeaza, cotropeste, revendica

(Bruno Wurtz, New Age, Editura De Vest, Timisoara, 1994)

                                                                            ANIMA/ANIMUS

"acest OM total nu este nici barbat nici femeie, ci le reuneste pe amindoua. In schimb, eul, fiind in mod fundamental sexuat, nu poate integra cu usurinta continuturi apartinind sexului opus. Acestea, pe masura ce isi fac aparitia in psihic, vor fi grupate in cadrul unui nou complex, numit anima/ animus, sau complexul contrasexual. La barbati, acest complex este de sex feminin si se numeste anima, iar la femei, animus-ul este de sex masculin. Etimologic, anima inseamna suflet. De altfel, asa cum egoul este comlexul central al constiintei, anima ocupa o pozitie similara in inconstient, deseori aparind precum 'sufletul' subiectului, ce organizeaza viata interioara inconstienta. Putem vedea anima ca o reflectare in oglinda a eului, dar o oglinda ciudata, ce transforma orice in complementul sau. Astfel, acele elemente care, din diverse motive, nu-si gasesc locul in egoul subiectului de obicei se refugiaza in anima acestuia.
Acest complex, alcatuit din elemente ce nu au fost niciodata constiente si, mai mult, fiind oarecum respins de ego care nu poate accepta, la persoana cu care se identifica, elemente apartinind sexului opus, se afla situat in structurile profunde ale inconstientului personal, mult mai indepartat de zona constienta decit umbra."

http://www.mythsdreamssymbols.com/animaanimus2.html

http://en.wikipedia.org/wiki/Anima_and_animus

Levels of anima development

Jung believed anima development has four distinct levels, which he named Eve, Helen, Mary, and Sophia. In broad terms, the entire process of anima development in a male is about the male subject opening up to emotionality, and in that way a broader spirituality, by creating a new conscious paradigm that includes intuitive processes, creativity and imagination, and psychic sensitivity towards himself and others where it might not have existed previously.

 Eve

The first is Eve, named after the Genesis account of Adam and Eve. It deals with the emergence of a male's object of desire.

 Helen

The second is Helen, in allusion to Helen of Troy in Greek mythology. In this phase, women are viewed as capable of worldly success and of being self-reliant, intelligent and insightful, even if not altogether virtuous. This second phase is meant to show a strong schism in external talents (cultivated business and conventional skills) with lacking internal qualities (inability for virtue, lacking faith or imagination).

 Mary

The third phase is Mary, named after the Christian theological understanding of the Virgin Mary (Jesus' mother). At this level, females can now seem to possess virtue by the perceiving male (even if in an esoteric and dogmatic way), insomuch as certain activities deemed consciously unvirtuous cannot be applied to her.

Sophia

The fourth and final phase of anima development is Sophia, named after the Greek word for wisdom. Complete integration has now occurred, which allows females to be seen and related to as particular individuals who possess both positive and negative qualities. The most important aspect of this final level is that, as the personification "Wisdom" suggests, the anima is now developed enough that no single object can fully and permanently contain the images to which it is related.

*asta m-a dus cu gandul la cele 4 varste, si la Epoca Varsatorului, care teoretic ar fi cea de-a cincea varsta.
Helen of Troy m-a dus cu gandul la termenul Dark Age, si am vazut valuri uriase inghitind pamantul.Apoi mi-am revenit.

Levels of animus development

Jung focused more on the male's anima and wrote less about the female's animus. Jung believed that every woman has an analogous animus within her psyche, this being a set of unconscious masculine attributes and potentials. He viewed the animus as being more complex than the anima, postulating that women have a host of animus images while the male anima consists only of one dominant image.
Jung stated that there are four parallel levels of Animus development in a female, but only named stage one and three of the animus individuation process: the athlete/muscleman/thug and the professor/cleric — "the planner" and "the guide" are used here for the convenience of the reader. For the former, due to Jung's explanation that "[it] provides a woman with initiative and the capacity for planned action"; and the latter, by him noting that "[i]n mythology, this aspect of the animus appears as Hermes, messenger of the gods; in dreams he is a helpful guide."

The athlete

Also referred to as the thug or the muscleman, Jung described it as the embodiment of physical power.

The planner

This stage embodies the capacity for independence, planned action, and initiative.

The professor

Also referred to as the cleric, it embodies "the Word."



The guide
Like "Sophia," this is highest level of mediation between the unconscious and conscious mind.

In dictionarul simbolurilor din alchimie , cele doua reprezentari erau folosite pentru a desemna planetele Venus si Marte, dar si  elementele chimice antimoniu si fier.


Antimony is a generally blue-white chemical element with the symbol Sb (Latin: stibium). It has an atomic number of 51. As a metalloid, antimony has four allotropes.
The stable form of antimony is a blue-white metalloid. Yellow and black antimony are unstable non-metals. Elemental antimony and its compounds are used in many areas, including electronics, flame-proofing, paint, rubber, ceramics, enamels, drugs to treat Leishmania infection and a wide variety of alloys.

Antimony is created via the long S-process in low-medium mass stars (.6 -> 10 solar masses). This takes thousands of years to do. It requires a tin atom to capture sufficient neutrons and then undergo beta decay.

Iron is a chemical element with the symbol Fe (Latin: ferrum) and atomic number 26. It is a metal in the first transition series. Like other group 8 elements, it exists in a wide range of oxidation states. 

 Iron is created in extremely large, extremely hot (over 2.5 billion kelvin) stars, in a process called the silicon burning process. It is the last element to be produced in this manner. The process is complicated. It starts with the second largest stable molecule created by silicon burning - calcium. One stable molecule of calcium, fuses with one helium, creating unstable titanium. Before the titanium decays, it can fuse with another atom of helium creating unstable chromium. Before the chromium decays, it can fuse with another atom of helium creating unstable iron. Before the iron decays, it can fuse with another atom of helium creating unstable nickel. The nickel then decays to unstable cobalt, and again finally to stable iron-56. The iron can no longer be fused with other elements. As the star fills up with iron, it begins to cool until there is no longer enough energy to maintain its size. It then contracts and the result is a supernova. Supernovas also create additional forms of stable iron via the r-process.

"si voi rade de mine, de noi si de iubirea noastra anorganica cu gust acidulat si rece"

Äm patruns adancurile pana la glezne si orizontul era la polul opus.Un urias printre valuri, asteptand sa apuna soarele ca sa se catere pe stele.